CHEN Jo-yu Savage Beauty Jazz Piano Concert

CHEN Jo-yu Savage Beauty Jazz Piano Concert

Date: 2021/12/24 -2022/1/9
Venue: National Taichung Theater

CHEN Jo-yu is the first Taiwanese jazz artist to be signed to a major record label, and has also joined the distinguished international roster of Steinway Artists. She has been featured in jazz magazines internationally. She received rave reviews in Downbeat, Jazziz, All About Jazz in the US and also appeared in Japanese magazines, such as Jazz Japan as Star of the Month, and Jazz Critique with a 3-pages in-depth interview.

CHEN Jo-Yu, Piano
Julian Wittich, Bass
HUANG Tzu-yu, Drum


《Savage Beauty》陳若玗音樂互動展

日期:2021/12/24 -2022/1/9
地點:臺中國家歌劇院

《Savage Beauty》陳若玗音樂互動展集結國內外各領域的創作者,以不同的形式打造出一場音樂、科技與視覺藝術的世紀演奏。透過AR擴增實境、互動裝置、錄像、動畫、平面及空間場域,視覺化旅美臺灣音樂家陳若玗的音樂世界,展現《Savage Beauty》的千姿百態,將觸角延伸到每個人與自我內心的交談:「我」是誰?是否坦然面對心裡最深沈的渴望?

當音樂遇上數位藝術 當88琴鍵化身為豹
https://www.elle.com/tw/life/culture/g38482591/savage-beauty-jo-yu-chen/

當爵士鋼琴音樂,遇上新媒體藝術:《Savage Beauty 陳若玗音樂互動展》臺中國家歌劇院登場
https://500times.udn.com/wtimes/story/12672/6011102?fbclid=IwAR2J16GVSFqIhxXxKsresmqwMHDLbfLZSwdLDLN5h6RQAsDC6HB5NfR4G_k


Monologue 2021 非墨之舞2021

Monologue 2021

Monologue is about psychological experience of women. Inspired by women’s diaries and “Nu Shu” which is an old writing system in China used only among women, “Monologue” tries to convey women’s internal and external contradictories which comes from the conflicts between the personal emotion and external constraints. Besides, “Monologue” is also reflection on traditional culture, aesthetics and patriarchy society. Therefore, dance, Chinese music, multimedia animation and interactive installation are combined and employed. The images of animation present the style of Chinese calligraphy. Dancers’ movements respond to the soft but intense characteristics of Chinese calligraphy. However, the interaction between dancers and that between dance and animation are sometimes violent. The contrasts symbolize the constraints on and the conflicts of women.

​As an interdisciplinary work, “Monologue” combines new technologies and the elements of classical art from Chinese dance, music and calligraphy. New Technologies such as Flash Programming, IR Sensor Installation, WiiRemote are employed in this work. Through the new technologies, classical images and dancers’ interaction with each other and with the animation, “Monologue” present the idea of rethinking tradition and the relationship between tradition and women.

Group:
Artist: Yun Ju Chen
Dance structure and performance: Mei kuang Li, Jean Jean Chang
Music design: Wen Hsin Teng
Interactive design: Yun Ju Chen
Lighting design: Yen Min Tseng
Photograph: Wei Zi
Special thanks to:Taoyuan Museum of Fine Arts

2021, Interactive Performance, 18’00”
2021/12/18-12/19 Hengshan Calligraphy Art Center


非墨之舞 2021

《非墨之舞》乃企圖整合舞蹈、多媒體影像、中國音樂、互動裝置等跨領域表現形式,以女書的概念呈現多種3D動態影像與符號,並以舞者肢體與影像作相互交織之對話,而書寫出女性在父權文化中之無奈狀態,但藉由女書化為群鳥飛翔與竄流之意象來敘述女性內在的吶喊,最後舞者以手中的互動介面自信地畫出白色筆觸而塗去女書,展現女性在企圖逃離父權文化的束縛後終獲釋懷。

《非墨之舞》藉由了解女性經驗如何形構主體自覺,以個人成長背景回顧與主體經驗為敘述,在動畫影像上,以搖曳樹枝的陰影及如刺繡動作般地黑色線條意函,輸出書寫著「女字」、「女書」,表達傳統女性被定型、被規訓的狀態。而在舞蹈上,藉由舞者女性身體詮釋「她」、「她們」與「我」、「我們」之女性主體自覺意象,象徵欲衝破主體束縛與去除內心的掙扎。

藝術家:陳韻如
舞蹈結構與演出:黎美光、張淑晶
音樂設計:鄧雯馨
互動設計:陳韻如
燈光設計:曾彥閔
攝影:位子
特別感謝:桃園市立美術館

2021年,互動表演,18’00”
2021/12/18-12/19 橫山書法藝術館

桃美館邀請觀眾夜遊 「書藝之夜」結合舞踏、新媒體展演 開啟書寫的多重想像力
https://artemperor.tw/focus/4538

橫山書法藝術館匯聚舞踏、新媒體展演,打造沉浸式「書寫劇場」
https://www.esquire.tw/tab/524/id/37218


書藝之夜(2021/12/18、12/19)

書藝之夜(2021/12/18、12/19)

日期:2021/12/18 – 2021/12/19
地點:橫山書法藝術館

書法藝術,不僅是傳統文化,同時也具有不同演繹的可能。書藝館將於12月18日及19日辦理「書藝之夜」夜間開館活動。邀請藝術家陳韻如、舞者黎美光、張淑晶跨域展演,並邀請黃智陽教授及白適銘教授進行「飛墨橫山-橫山書法藝術館開館國際書藝展」專場導覽,為您帶來屬於書法藝術的特別夜晚。

12/18、12/19<<非墨之舞>>藝術家陳韻如、舞者黎美光、張淑晶跨域展演(19:00~19:30)

12/18導覽:黃智陽教授(19:30~20:30)
12/19導覽:白適銘教授(19:30~20:30)

本次活動地點:橫山書法藝術館(桃園市大園區大仁路100號)
活動當日18:30開始報到

書藝之夜

Taiwan-Japan Art Project Vol.4

Taiwan-Japan Art Project Vol.4 台日藝術博覽會

日期:2021/03/26 – 2021/03/28
地點:松山文創園區4號倉庫

台灣和日本至今透過藝術和文化,雙方建立了長久的友好關係。為了進一步加深兩國的交流,於2017年,使用偌大的台北車站1F中央大廳,舉辦第一次「台日藝術博覧會」。

於隔年的2018年,在台中市政府新市政大樓(文心樓一樓中庭、惠中樓一樓中庭),並於2019年,再度在台北車站,舉辦第3次。 這次是第4次,以「當代藝術文化」的發源地「松山文創園區」為舞台,以來自台灣和日本兩國,各種領域的迷人繪畫為主的作品,齊聚一堂。誠摯邀請各位光臨。

[台方參展作品]
展示台灣女性藝術協會選出的藝術家約20人的作品。

[日方參展作品]
展示約220件,當今活躍於日本畫、水墨畫、油畫、工藝、書法、攝影等各種領域的日本藝術家的作品。
除此之外,展示多件能夠深入瞭解日本美術的作品,像是浮世繪的複製作品等。

Taiwan-Japan Art Project Vol.4 台日藝術博覽

2021台日藝術博覽會-女藝會waa

看得見的聲音-並並蹦蹦大樂隊

看得見的聲音-並並蹦蹦大樂隊

日期:2021/02/12 – 2022/06/05
地點:朱銘美術館 兒童藝術中心

聲音如何產生?聲音如何傳遞?聲音如何被看見?

聲音藉由物質的震動而產生,但空氣看不見、摸不著,所以我們運用可看見的物質呈現出聲音的物理質性。
在這個空間裡,我們透過並蹦俱樂部邀請了三位當代藝術家,嘗試以不同介質的震動將無形的聲音具象化,讓孩子在拍打或撥弄或發出聲響的互動中,「看見」聲音的變化。

策劃團隊:並蹦俱樂部
參展藝術家:王相評/陳長志/陳韻如
藝術家工作坊日期&時間:
3/14(日)、4/4(日)、6/13(日)、7/18(日)、8/15(日)、10/10(日)
下午1:30~3:30

看得見的聲音-並並蹦蹦大樂隊

Shine Together 光合共譜

Shine Together-Turning Natural Melody​​

This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and transmission, as well as controlling the changes of light and colors through melody and audio frequency. Turning of the installation also activates the sound of different music and voices.

2020, New media public art installation, Location: Taipei Music Center

Music source:
Richard Gere (Lyrics: Fan Shu Ya, Composer: Fan Shu Ya, Singer: Fan Shu Ya)
My Shadow, My Sea (Lyrics: Wang Miao, Composer: Wu Qing Feng, Singer: Wu Qing Feng)


光合共譜-轉動自然樂章

邀請民眾用手機錄下一段腦海中迴盪不去的聲音

聽覺是人在世上最後失去的感受,音樂會讓回憶產生共同的連結與震動,因此,當我們聽到一首歌就會回到某個時刻,某個生命中曾經的時光聲軌片刻。

《光合共譜》為六個聲軌的音樂裝置,以混音的形式環繞呈現,它是裝置,也是錄音機,紀錄想念的聲音,並將聲音回放於風中,在彼此的步伐裡,成為對方的回音!在你腦海中是否有一個很重要的聲音如日夜光影隨行,或是來不及說出口的話,那些曾經滴落的淚水,一如音樂裡的時光,把它留下來化作音符,存放在這個時光聲軌之間,撥動共譜出時、光、音、影的脈動瞬間,呈現視聽觸的微妙感受。

2020年,新媒體公共藝術裝置,設置地點:台北流行音樂中心

音樂來源:
李察吉爾 (詞:范書雅、曲:范書雅、主唱:范書雅)
你的影子是我的海 (詞:王小苗、曲:吳青峰、主唱:吳青峰)


Infinity of Sound-Light Scope Away 無垠光音之外

Infinity of Sound-Light Scope Away​​

Infinity of Sound-Light Scope Away invites the audiences to record a piece of the singing of their signature song with mobile phones and transmits the recorded voice to the mirror space to create fascinating new songs. When audiences enter the room and rotate the triangular light pillar, the triggered device will play the songs and activate stage lights and LED lights that vary with the rhythm, mirror space, participants will feel like they art floating, as if they were among the stars in the eternal universe. This work symbolizes the capture of a moment and the endless expansion of time and space.

2020, Interactive installation, Depend on the space


無垠光音之外

《無垠光音之外》邀請民眾留下一段歌聲,民眾透過手機啍唱錄製一段自己的主打歌曲,並將歌聲傳送到鏡面空間中,共創出一首首有趣的新歌曲,當民眾進入鏡面空間裡,用手去轉動三角光柱裝置,隨著民眾轉動裝置觸發主打歌曲播放,並啟動舞台燈和LED燈隨著歌聲節奏,創造出聲音與光景無限映射延伸的立體空間感,讓參與者猶如漂浮置身在永恆宇宙星辰中,隨著鏡面空間,象徵停留在永恆的剎那時光裡,無止境地向外拓展。

2020年,互動裝置,依場地而定


Hearing of Reasonable Cause-Taoyuan Art x Technology Festival

Hearing of Reasonable Cause-Taoyuan Art x Technology Festival

Date:2020/10/07-2020/10/25
Venue: Taoyuan Arts Center

Human ears are auditory organs that cannot be plugged up, allowing people to continue receiving acoustic signals even during sleep. We begin the journey of hearing from the first day of our birth, so we might easily ignore sounds in daily life.
The curatorial theme for this year’s Taoyuan Art x Technology Festival is “Hearing of Reasonable Cause," taking everyday life as a starting point to explore the different aspects of the sounds we take for granted that surround us every day. Sound artists present diverse sound texture with various media, showcasing their ambition to achieve interdisciplinary development of sound with imagination and creativity.

Sounds began to unfold its artistic imagination in the creation of music.
In contemporary art development, artists use sounds as a medium or approach to form the multi-faced nature of contemporary art. In recent years, its vigorous growth covers composing, recording, live performances, installations, sound sculptures,
and the combination of various technological media, bringing many different sound art imaginations and possibilities.

The following are some of the invited artists and their artworks. Taiwan Sound Lab creates an audiobook tailor-made for children, Peter And The Wolf, presenting a futuristic musical vision with the AR technique and immersive sound field. Wang Chung-kun,
Wu Ping-sheng, Cheng I-li, and Liao Hai-ting join forces to produce Little Park of Sounds,
aiming to inspire young audiences’ sound experience.
Composers skillfully arrange physical and electronic acoustic installation to be triggered through the audience’s interaction to stimulate the imagination and prospect of today’s sound and music.

Indigenous director Fangas Nayaw(Chen Yen-pin) collaborates with Serendipity Films to make A Song Within Us.

This film finds inspiration from the Ami tribe’s folk song Song of Tafalong and uses VR technology as a medium to produce a new type of VR indigenous musical. Taiwanese sound artist Wang Hsin-jen’s Paths to the Past also takes VR technology as the medium.
In this abstract 1:1 scale 3D virtual map, players can engage in different cognitive activities to activate the cognitive process.

Players can move around to explore in the virtual space represented by coordinates–and these coordinates barely need analog space and sound of the reality.
Another work made with VR technology is Taiwanese famous rap singer Soft Lipa’s Buddha. It combines pop music with a splendid VR scene to provide a breath of fresh air into the future of musical experience.

​Sound artist Wu Tsan-cheng’s Multidimensional city demonstrates the ever-changing urban soundscape.
Audio-visual works by Yeh Ting-hao and Wang Lien-cheng are spectacular feasts for both your eyes and ears.

Chang Hsin-yu’s Feeding is a work dealing with the mechanical problem of feedback. This year we also include Infinity of Sound-Light Scope Away by last year’s curator Chen Yun-ju, and Breath(In)Room v.2 by Tsai Ning, the winner of Taoyuan Technology Performing Art Awards, all giving color to this year’s Taoyuan Art x Technology Festival!


桃園科技藝術節-當然耳

日期:2020/10/07-2020/10/25
地點:桃園展演中心

耳朵作為一個無法閉鎖的聽覺器官,讓人即使在睡眠中仍然持續接收聲音的訊號。
人從出生便開始聽覺的旅程,也因此我們很容易忽略日常生活中的各種聲音。
這次桃園科技藝術節的策展主題【當然耳】,從日常中的生活出發,去探索我們日常生活中的理所當然的聲音之不同面向。

透過聲音藝術家的想像與創造,帶來聲響質感上的不同感受,在本展覽中結合不同媒介展示聲音跨領域的發展企圖。聲音開始在於音樂的創作上展開其藝術性的想像,在當代藝術的發展上,
藝術家以聲音做為媒材或方法的創作形式形塑當代藝術的多面向。近幾年來,其涵蓋作曲、錄音、現場演出、裝置、聲音雕塑以及結合各種科技媒介等蓬勃的發展,帶來許多不同的聲音藝術想像及可能性。

在這次邀請的作品裡面,有臺灣聲響實驗室特別為幼兒設計的【聲之書:彼得與狼】,透過 AR 及沉浸式聲場,建構一個未來的音樂想像。結合王仲堃、吳秉聖、鄭伊里及廖海廷多位藝術家的合作,【聲音小公園】目標在於啟蒙幼小觀眾的聲音體驗。透過物理及電子的發聲裝置,作曲家的巧手安排讓參與動手變成了富有趣味的聲音,進而啟發當代聲音與音樂的想像可能。

原住民導演 Fangas Nayaw(陳彥斌)與綺影映畫的【烏麗的邊境】,以阿美族的太巴塱之歌為出發點,以 VR 為媒介,呈現一種新型態的原住民 VR 歌舞劇。台灣聲音藝術家王新仁的【昨日的路徑】(Paths to the Past)同樣以 VR 為媒介,在那個抽象化的等比例虛擬立體地圖上進行不同的認知活動,隨遊戲開展的認知歷程,玩家也能在座標代表的虛擬空間裡到處移動並探索更事件—且這些座標甚至不需類比現實的空間及聲響。與臺灣知名饒舌歌手蛋堡的【音菩薩】,結合流行音樂與絢麗的 VR 場景,讓未來欣賞音樂更有不同的體驗。

另外聲音藝術家吳燦政的【多維度的城市】,呈現極速改變的城市聲音景觀,葉廷皓與王連晟的音像作品,結合視覺與聽覺的極致感受。張欣語的【Feeding】呈現一種機械式的回授狀態,同時今年也加入去年策展人陳韻如的【無垠光音之外】,以及桃園表演藝術節得獎作品蔡寧的【Breath(In)Room v.2】,讓本屆科技藝術節的展覽節目更加精彩!

桃園科技藝術節-當然耳

2020-桃園科技藝術節-導覽手冊

Welcome to Jailbnb?!-Freedom of Speech Day

Welcome to Jailbnb?!-Freedom of Speech Day

Date:2020/04/07~2020/12/13
Venue: Jing-Mei White Terror Memorial Park

In honor of Freedom of Speech Day, the Jing-Mei White Terror Memorial Park will hold an exhibition on ordinary people who were convicted for exercising their rights and freedom of expression during the White Terror era. With the aim of illustrating how fundamental human rights were under sustained attack through the framework of enforcing martial law, the exhibition is free and open to the public from April 17 through Dec. 13.

Cheekily titled “Welcome to Jailbnb!", the New Taipei City exhibition highlights how oppression permeated everyday life under martial law from 1949 to 1987. During that time, it was not unusual for civilians who expressed their dissatisfaction with the government or criticized the head of state to be tried in military courts under charges of “instigating civil unrest" and “spying for the Communists." They were forced to be “re-educated" or sentenced to severe punishment such as forced labor or death.

Through comic strips, memes, and sensory installations that detect the physical movement of visitors, the exhibition closely examines how ordinary people then were subject to censorship. Other items curated for display — including verdict sheets and dossiers that contain such written sentences as “rebellious," “convicted to seven years in prison," and “confer three years of reformatory education" — bear witness to Taiwan’s dark past.

“Welcome to Jailbnb!" features tailored artworks by Chen Yun-ju (陳韻如) and Tsai Kun-lin (蔡坤霖). By combining interactive sensory technology and satirical memes, Chen offers visitors a chance to ponder the standard for determining when speech is unprotected. Tsai, on the other hand, transformed an exhibition space into a public toilet. Through a variety of sounds and once-banned songs coming from the sewage pipes, Tsai’s work aims to remind people of the period when walls had ears.

Describing the martial law period as an era with no freedom of expression, National Human Rights Museum Director Chen Chun-hung (陳俊宏) said ordinary people were easily criminalized for anything they did or said on a daily basis, which fueled a chilling effect on society.

As the White Terror period is close to unimaginable for contemporary teens who never lived under martial law and are unaware of a world without internet, this exhibition seeks to encourage reflection on the value and scope of freedom of expression. For example, the curators have utilized the comic strip format to spotlight how speeches on political or ideological topics were subject to draconian scrutiny.

Echoing Chen, Cheng Ching-hua (鄭清華), executive board member of the Nylon Cheng Liberty Foundation (鄭南榕基金會), said ordinary people who spoke against or wrote about the injustices were put behind bars and lost their youths or even lives. The foundation member also paid tribute to pro-democracy pioneer Cheng Nan-jung (鄭南榕, also credited as Nylon Cheng), who set himself on fire in defense of personal expression on April 7, 1989. Twenty-seven years later, April 7 was officially designated as Freedom of Speech Day in 2016 to commemorate his death by immolation.

Three freedom-of-speech workshops for vocational institutions or high school students will also accompany the exhibition later this year. The museum is partnering with the Nylon Cheng Liberty Foundation as well to launch a human rights-themed tour to promote public awareness on the basic rights that all beings are entitled to.

Originally scheduled for April 7 to mark Freedom of Speech Day in Taiwan, the opening of the event has been postponed to May 5 in compliance with the preventive measures issued by the New Taipei City government to curb the spread of COVID-19.


銬!我被抓了?!言論自由日特展

日期:2020/04/07-2020/12/13
地點:國家人權博物館白色恐怖景美紀念園區 美工工廠

「言論自由」是基本人權的一環,但是在台灣,人們所享有的言論自由權利,其實並非自始已然。台灣在1950年至1987年間因國共內戰而實施戒嚴,在長達38年的戒嚴期間,許多人因言談或書信中不滿政府或批評元首,就動輒被視為「叛亂」、當成「匪諜」,或被交付感化,或遭判處重刑,甚至喪失寶貴生命。

這類因言論獲罪的人們分佈在各行各業,以軍公教人員最多,但更多是基層民眾,包括教師、學生、店員、遊民,甚至受刑人。在戒嚴時期家裡長輩經常訓誡孩子不要亂說話、不可以亂塗鴉,否則就會被警察抓走。人們也因此謹小慎微,唯恐一時語言或書寫的無心疏忽而被當成「叛亂犯」,這種寒蟬效應,是台灣五、六年級生記憶的一部份,正是戒嚴時期庶民生活的日常。由於這類案件當事人都非公眾人物,檔案也都分散在不同卷宗,儘管解嚴後學者陸續解讀檔案,但言論獲罪這個領域的研究仍然非常有限。

本展主要素材取自國家人權博物館的委託研究,由陳百齡、楊秀菁和黃順星等傳播和歷史學者,組成跨領域研究團隊,針對言論獲罪案件運用數位工具進行資料探勘,再從中整理上出千則「言論獲罪」個案調查分析。本展大多數素材都是首次對外公開的檔案史料,對瞭解台灣言論自由發展的歷史腳步,應該有所助益。

Welcome to Jailbnb?!-2020Freedom of Speech Day

「銬!我被抓了?!」2020言論自由日特展

大煙囪開箱!

大煙囪開箱!

日期:2019/12/06-2020/01/05
地點:大煙囪廠房六棟眷舍(新竹市東區建美路26-38號)

《大煙囪開箱!》行動,延續unboxing (un-box-ing)的概念,在不同層次和意義上進行開箱行動!在第一個層次上,開箱是將交大六燃團隊自2018年6月起至今,所執行的「大煙囪廠房基地」 保溫睦鄰駐站計劃與「新竹生博物館」計劃的綜合成果,透過開箱呈現給大眾知曉,內容包括在新竹六燃的「活隱喻,活博物館:新竹生博物館」計劃的精神與大架構下,所執行的六燃文件展、六燃國際互動劇場、六燃成果展暨藝術展演等系列活動。在另一個層次上,《大煙囪開箱!》聚焦在「六燃保溫成果暨藝術展演」上,內容包括14位藝術家的原創全新作品、回顧階段性已經執行完成的文史調查、智慧科技、蝙蝠保育、社區經營與學校多元教育等成果面向。就意義面來說,un-box-ing是一種打開框框、消除框框的現在進行式!所以,與其說《大煙囪開箱!》是成果的分享,還不如說是邀請大家一起來反身回看新竹六燃,進行批判反思!

高60公尺,屹立76年的大煙囪,是新竹六燃的精神地標,也是一個獨特的戰爭工業、霜毛蝠生態空間,因此,《大煙囪開箱!》不僅是計劃成果的展現,更是一個令人意想不到的開箱解密行動!是邀請大家跳脫框架,以沉思者與創造者之姿,重新梳理新竹六燃獨特的二戰歷史、戰爭工業起源、樓中房的特殊眷村聚落文化、霜毛蝠生態,反思這些與以高科技著稱的新竹科學園區之關聯所在。透過思想的流動,我們重新認識彼此,看見新竹六燃,建立社區意識與共生關係,分享新竹曾是二戰工業城市的看法,更期待為它的未來給出千百種的可能與建言!

《大煙囪開箱!》行動指向了新竹六燃作為一個活隱喻,活博物館的無限可能!它是超乎框架、充滿能量的藝術實踐、歷史書寫、保存活化行動!當進入這個活隱喻、活空間時,每一個自由活潑的心靈就會為我們所共同擁有的大煙囪悸動,折射出千萬種雖不可能,但確實存在的真實及想像!在這裡發生的每一個開箱行動、每一個宣言,都是保存、豐富、活化新竹六燃最有力的身體實踐與最有效的動能生產!也是活隱喻,活博物館的本質與內容!

《大煙囪開箱!》行動的三大特色是藝術樂活、智慧創生、人文想像,在一個月的活動期間,將於大煙囪下舉行戶外演唱會、市集、露天電影、實地導覽、各式工作坊、冬至搓湯圓等活動。當大家一起進入新竹六燃這個活隱喻空間,體驗大煙囪下所打造出來的、充滿生氣的活博物館氛圍時,那個當下就是活博物館的具體實踐!

大煙囪開箱! – 新竹生博物館